Figure-6_903-Patent-300x283Washington, D.C. — The Federal Circuit ruled on two patent infringement decisions, Los Angeles Biomedical Research Institute v. Eli Lilly & Co. and Eli Lilly & Co. v. Los Angeles Biomedical Research Institute, that involve Indianapolis-based Eli Lilly and Company.

These companion cases pertain to a pharmaceutical patent, U.S. Patent No. 8,133,903 (“the ’903 patent”), owned by Los Angeles Biomedical.  Also at issue is one prior art reference, International Patent Application No. WO 01/80860, published Nov. 1, 2001, common to both lawsuits.

Los Angeles Biomedical Research Institute v. Eli Lilly & Co. arose as an inter partes review of a decision by the Patent Trial and Appeal Board holding all claims of the ‘903 patent to be obvious.  The Federal Circuit reviewed claims in a provisional application relating to a study involving rats in combination with a method in an uncited reference to convert those results to apply to humans.  It held that the rat study and uncited conversion method did not support the claimed dosage for humans.  It further concluded that claims directed to an underlying condition should not be construed broadly to treat symptoms of that condition, holding that the Board had not adopted the broadest reasonable interpretation of the claims but instead had adopted an overbroad interpretation. The panel remanding, stating:

The question remains whether a person of skill in the art would have had a reason to combine [the three cited references relating to the medical condition] and would have had a reasonable expectation of success from doing so.  Because the Board’s obviousness analysis was based on an erroneous construction of the claim language and an overly broad interpretation of [one of the references], and because the Board did not address the record evidence summarized above, we remand for the Board to make new findings as to whether there was an apparent reason to combine the prior art references and whether that combination would have rendered [the treatment] obvious.

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How do I register my copyright?Copyright-300x168

To register a work, submit a completed application form, and a nonreturnable copy or copies of the work to be registered to the U.S. Copyright Office. See Circular 1, Copyright Basics, section “Registration Procedures., and Circular 4, Copyright Office Fees”.

 
Where can I get application forms?

See SL-35.

 
Can I file online?

Yes. The Copyright Office offers online registration through its electronic Copyright Office (eCO). See SL-35.
What is the registration fee?

See Circular 4, Copyright Fees.

 
Do I have to send in my work? Do I get it back?

You must send the required copy or copies of the work to be registered. Your copies will not be returned. If you register online using eCO eService, you may attach an electronic copy of your deposit. However, even if you register online, if the Library of Congress requires a hard-copy deposit of your work, you must send what the Library defines as the “best edition” of your work. For further information, see Circular 7b, Best Edition of Published Copyrighted Works for the Collection of the Library of Congress, and Circular 7d, Mandatory Deposit of Copies or Phonorecords for the Library of Congress. Upon their deposit in the Copyright Office, under sections 407 and 408 of the copyright law, all copies and identifying material, including those deposited in connection with claims that have been refused registration, are the property of the U.S. government.

 
Will my deposit be damaged by security measures in place on Capitol Hill?

To avoid damage to your hard-copy deposit caused by necessary security measures, package the following items in boxes rather than envelopes for mailing to the Copyright Office:

  • electronic media such as audiocassettes, videocassettes, CDs, and DVDs
  • microform
  • photographs
  • slick advertisements, color photocopies, and other print items

 

May I register more than one work on the same application? Where do I list the titles?

You may register unpublished works as a collection on one application with one title for the entire collection if certain conditions are met. It is not necessary to list the individual titles in your collection. Published works may only be registered as a collection if they were actually first published as a collection and if other requirements have been met. See Circular 1, Copyright Basics, section “Registration Procedures.”

 
Do I have to use my real name on the form? Can I use a stage name or a pen name?

There is no legal requirement that the author be identified by his or her real name on the application form. For further information, see FL 101, Pseudonyms. If filing under a fictitious name, check the “Pseudonymous” box when giving information about the authors.

 
Will my personal information be available to the public?

Yes. Please be aware that when you register your claim to a copyright in a work with the U.S. Copyright Office, you are making a public record. All the information you provide on your copyright registration is available to the public and will be available on the Internet.

 
How long does the registration process take, and when will I receive my certificate?

The time the Copyright Office requires to process an application varies, depending on the number of applications the Office is receiving and clearing at the time of submission and the extent of questions associated with the application. Current Processing Times

 
Can I submit my manuscript on a computer disk?

No. Floppy disks and other removal media such as Zip disks, except for CD-ROMs, are not acceptable. Therefore, the Copyright Office still generally requires a printed copy or audio recording of the work for deposit. However, if you register online using eCO eService, you may attach an electronic copy of your deposit. However, even if you register online, if the Library of Congress requires a hard-copy deposit of your work, you must send what the Library defines as the “best edition” of your work. For further information, see Circular 7b, Best Edition of Published Copyrighted Works for the Collection of the Library of Congress, and Circular 7d, Mandatory Deposit of Copies or Phonorecords for the Library of Congress.

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MR2-300x168Hammond, Indiana – ME2 Productions Inc. of Carson City, Nevada filed an additional lawsuit in the Northern District of Indiana alleging copyright infringement of the action thriller Mechanic: Resurrection.

The lawsuit lists nine anonymous “Doe” Defendants, accusing them of infringing the copyright of the movie, which has been registered with the U.S. Copyright Office under Registration No. PA-1-998-057.  Plaintiff contends that the Doe Defendants illegally distributed a “screener copy” of the film via BitTorrent, a file-sharing protocol.  Plaintiff further asserted that this was done “in a collective and interdependent manner with other Defendants via the Internet for the unlawful purpose of reproducing, exchanging, and distributing copyrighted material.”

The movie, which is the sequel to the 2011 action film Resurrection, stars Jason Statham, Jessica Alba and Tommy Lee Jones. Plaintiff contends that the Doe Defendants are Indiana residents, stating that it determined through the use of geolocation technology that each had an Indiana Internet Protocol address.

This litigation, filed by a copyright lawyer for ME2 Productions, lists a single count – copyright infringement – and asks the court to award injunctive relief, damages, costs and attorneys’ fees.

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Days-300x130South Bend, IndianaDays Corporation (“Days”) of Elkhart, Indiana filed a complaint asking the Northern District of Indiana to resolve infringement claims relating to three patents.

The lawsuit was brought against Lippert Components, Inc. (“LCI”), also of Elkhart, Indiana.  Both Days and LCI operate in the recreational vehicle (“RV”) industry.  They offer competing systems designed to level a vehicle, for example, one that is situated on uneven terrain causing the vehicle to be oriented on an undesirable plane.

At issue in this Indiana litigation are three patents, U.S. Patent Nos. 6,584,385 (“the ‘385 patent”), 6,885,924 (“the ‘924 patent”) and 6,619,693 (“the ‘693 patent”).  LCI claims intellectual property protection under the ‘385 patent and the ‘924 patent, while Days claims rights under the ‘693 patent.

Each party asserts that the other party is committing patent infringement. Days asks the court for a declaratory judgment of non-infringement and patent invalidity of the LCI patents.  It also seeks a judgment that LCI has infringed the ‘693 patent.  The complaint, filed by a patent litigator for Days, lists the following claims:

  • Count I: Declaratory Judgment of Non-Infringement by Days of the ‘385 Patent
  • Count II: Declaratory Judgment of Non-Infringement by Days of the ‘924 Patent
  • Count III: Declaratory Judgment of Invalidity of the ‘385 Patent
  • Count IV: Declaratory Judgment of Invalidity of the ‘924 Patent
  • Count V: Infringement by LCI of the ‘693 Patent

In addition to a declaratory judgment and a judgment of infringement, Days seeks damages, including a trebling of those damages pursuant to a finding of willful infringement, and injunctive relief.

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Huber-2-300x224New Albany, IndianaHuber Orchards, Inc. of Borden, Indiana filed a trademark lawsuit in the Southern District of Indiana.  Defendants in the litigation are C. Mondavi & Family (“CMF”) and C. Mondavi & Sons, Inc., both of St. Helena, California.  Huber filed the lawsuit seeking a declaratory judgment that its mark “Huber Winery Generations Indiana Red Wine” does not infringe Defendants’ trademark.

Both Plaintiff and Defendants produce and offer wine products.  In February 2017, CMF sent a cease and desist letter to the president of Huber stating that CMF owns a federally registered trademark for GENERATIONS for wine.  This trademark has been registered by the U.S. Patent and Trademark Office as U.S. Reg. No. 2,236,517.

In the letter, sent to Huber by a trademark lawyer for Defendants, CMF asserts that Huber’s use of the word “Generations” in conjunction with the sale of wine violates the Lanham Act by infringing and diluting CMF’s trademark.  The letter demanded that Huber cease all use of the trademark GENERATIONS in connection with its Huber Winery Generation Indiana Red blend wines.  CMF further contended that Huber is liable for injunctive relief, damages, possible treble damages and attorneys’ fees.

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Huber contends that it began selling its “Huber Winery Generations Indiana Red Wine” line locally in 1997, two years before CMF registered its trademark, and that it began selling the wine on the internet in 2004.  It further asserts that its use of its “Huber Winery Generations” common law trademark does not infringe any trademark in which CMF has right because there is no likelihood of confusion.  It asks the court to declare that Huber’s use of “Generations” and “Huber Winery Generations” do not infringe CMF’s GENERATIONS trademark.

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South Bend, IndianaJudge Robert L. Miller, Jr. of the Northern District of Indiana dismissed claims concerning trade dress infringement.

In this Indiana trademark lawsuit, Forest River, Inc. of Elkhart, Indiana sued Winnebago Industries, Inc. of Forest City, Iowa and its subsidiary Winnebago of Indiana, LLC alleging trademark infringement, trade dress infringement, unfair competition, false designation of origin, and false and misleading representations.

Overhauser Law Offices, LLC filed a partial motion to dismiss with the court, arguing that Forest River had neither sufficiently identified the features that constituted the claimed trade dress nor provided any factual support for its assertion that such features were non-functional.

The court noted that “to survive a motion to dismiss, a complaint must contain sufficient factual matter, accepted as true, to ‘state a claim to relief that is plausible on its face.’” Ashcroft v. Iqbal, 556 U.S. 662, 678.  The claim is deemed plausible if “the plaintiff pleads factual content that allows the court to draw the reasonable inference that the defendant is liable for the misconduct alleged.” Id.

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In this litigation, such a showing required that Forest River define its trade dress.  It must also plead sufficient facts to show that the claimed trade dress is nonfunctional, has acquired secondary meaning and that a likelihood of confusion exists between its trade dress and Winnebago’s trade dress.

The court agreed with Winnebago, concluding that Plaintiff had relied on “conclusory and meaningless” assertions in its pleadings. Consequently, it granted Winnebago’s motion and dismissed without prejudice Forest River’s claims concerning trade dress infringement under the Lanham Act, 15 U.S.C. §1125(a) as well as similar claims made under common law.

Overhauser Law Offices represented Winnebago in obtaining this successful order dismissing the trade dress claims.

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NCAA-300x202Indianapolis, Indiana –  National Collegiate Athletic Association (“NCAA”) of Indianapolis, Indiana sued in the Southern District of Indiana alleging trademark infringement and unfair competition.

NCAA’s trademarks, which have been registered with the U.S. Patent and Trademark office (“USPTO”), pertain to the following uses of FINAL FOUR and MARCH MADNESS:

MARK GOODS/SERVICES REG NO. & DATE
FINAL FOUR Association services, namely, conducting annual basketball tournaments at the college level 1,488,836;

May 17, 1988

FINAL FOUR Promoting the goods and services of others by allowing sponsors to affiliate their goods and services with collegiate championship tournaments 2,377,720;

Aug. 15, 2000

FINAL FOUR Printed matter, namely, guides in the field of sports; Luggage, namely, portfolios, backpacks, duffle bags, rolling luggage, garment bags, briefcases, athletic bags and tote bags; and Entertainment services, Namely, providing information in the field of college sports via the Internet 2,964,266;

June 28, 2006

MARCH MADNESS Entertainment services, namely, presentation of athletic and entertainment personalities in a panel forum 1,571,340;

Dec. 12, 1989

MARCH MADNESS Entertainment in the nature of basketball tournaments between college teams 2,485,443;

Sept. 4, 2001

MARCH MADNESS Telecommunications services; namely the transmission of voice, data, images, audio, video and information via local and long distance telephone, satellite and global computer networks; leasing telecommunications equipment, components, systems and supplies; electronic mail services; telephone voice messaging services; providing multiple-user access to global computer networks to transmit, receive and otherwise access and use information of general interest to consumers; web casting of athletic games, tournaments, exhibitions, and events via the Internet 3,025,527;

Dec. 13, 2005

Defendants in this Indiana trademark lawsuit are Kizzang LLC of Las Vegas, Nevada and Robert Alexander, the founder and owner of the business.  They are in the business of providing nationwide Internet-based promotions that award prizes for predicting the results of sporting events.  Plaintiff states that they have branded their NCAA-related services using the mark FINAL 3.

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Plaintiff further asserts that Defendants had planned to adopt APRIL MADNESS for the same services as FINAL 3, but that they delayed doing so upon learning that NCAA objected to their use of FINAL 3.  Kizzang has applied for federal trademark registrations for both marks with the USPTO.

Indiana trademark attorneys for Plaintiff contend that Defendants adopted both names because of their similarity to the marks used by NCAA and that Defendants did so with the intention of exploiting the goodwill associated with FINAL FOUR and MARCH MADNESS.  In this lawsuit, filed in federal court, the following claims are made:

  • Trademark Infringement Under 15 U.S.C. § 1114
  • Trademark Infringement Under 15 U.S.C. § 1125(a)
  • Trademark Dilution Under 15 U.S.C. § 1125
  • Common Law Unfair Competition

Plaintiff asks for various remedies from the court, including a judgment of willful and intentional violations of 15 U.S.C. §§ 1114, 1125 and Indiana common law; injunctive relief including restraining Defendants from further use of FINAL 3 and APRIL MADNESS as well as an order that the USPTO deny registration for the marks; damages, including treble damages; and attorneys’ fees.

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MechResurrection-300x153Hammond, Indiana – ME2 Productions Inc. of Carson City, Nevada, filed a lawsuit alleging copyright infringement of the action thriller Mechanic: Resurrection, which has been registered with the U.S. Copyright Office under U.S. Copyright Registration No. PA-1-998-057.  The movie, which is the sequel to the 2011 action film Resurrection, stars Jason Statham, Jessica Alba and Tommy Lee Jones.

Eleven unnamed Defendants, listed as Doe Defendants 1-11, are accused of infringing the copyright of the film by distributing a “screener copy” illegally via BitTorrent, a file-sharing protocol.  Plaintiff states that the 11 Defendants committed copyright infringement “in a collective and interdependent manner with other Defendants via the Internet for the unlawful purpose of reproducing, exchanging, and distributing copyrighted material.”

This litigation was commenced in the Northern District of Indiana by a copyright litigator for ME2 Productions.  Plaintiff contends that the Doe Defendants are Indiana residents, stating that it determined through the use of geolocation technology that each had an Indiana Internet Protocol address.

Plaintiff seeks injunctive relief along with damages, costs and attorneys’ fees.

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CentralLibrary-300x161Indianapolis, Indiana – The United States Patent and Trademark Office will be hosting a free program for up and coming independent inventors titled “Gender Gap in Patents”.  Following the free program you can attend an educational training session in order to learn about Patent and Trademark basics.  USPTO staff will be on site to answer your questions.

The program will be held on Thursday, March 23, 2017 at the Indianapolis Public Library – Central Library located at 40 East Saint Clair Street, Indianapolis, IN 46204.

The itinerary for the day will be as follows:


UFC-Pettis-244x300Fort Wayne, Indiana
Joe Hand Promotions, Inc. of Feasterville, Pennsylvania filed an intellectual property lawsuit in the Northern District of Indiana.

One business entity was sued in this Indiana litigation, Gum Dinger Slingers, LLC d/b/a Foxhole Pub at Norwood Golf Course of Warren, Indiana.  Also listed as Defendants were the following Indiana residents: Lee Cutting, Stephanie Cutting, Kevin Killen, Amanda Killen and Jason Kennedy.

Defendants are accused of unlawfully intercepting and broadcasting an “Ultimate Fighting Championship®” program that was broadcast on March 14, 2015.  The program, Ultimate Fighting Championship® 185: Pettis v. Dos Anjos, was broadcast exclusively on pay-per-view.

Joe Hand states that it held the exclusive commercial distribution rights to the broadcast of this program and that the business known as Foxhole Pub at Norwood Golf Course displayed the program in a commercial establishment without having obtained the proper license.  In addition to suing the limited-liability company that operates the Foxhole Pub, an Indiana intellectual property lawyer for Joe Hand has sued five individuals, stating that each was an officer, director, shareholder, owner, member and/or principal of the entity owning and operating the Foxhole Pub; that each individual had a right and ability to supervise the activities of the pub; and that each had an obvious and direct financial interest in the activities of the pub.

Plaintiff asserts that Defendants’ conduct violated 47 U.S.C. § 605 or, in the alternative, violated 47 U.S.C. § 553.  It asks the court for statutory damages, interest, costs and attorneys’ fees.

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